meta: Violence


2019


'Ryuko': International Woman Of Mystery 
A gorgeous homage to everything from Meiko Kaji's femme-violence films to 'Black Lagoon', but it's too top-heavy with plot and not resourceful enough about its own best ideas
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'Izo': Takashi Miike's Death (And Resurrection) Mantra 
Even longtime Takashi Miike fans were alienated by this mix of Miike's fetishes, 'Slaughterhouse-Five', and William S. Burroughs's space-age shamanism, but it deserves fresh eyes and open minds
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Akio Jissōji's 'The Buddhist Trilogy' 
Almost totally unseen outside Japan, these three art projects by a director best known for his 'Ultraman' work are anything but easy viewing, but also seething with vision and ambition
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'Tomie': The Infinite Bad Penny  
Like all great horror, Junji Ito's now-classic series about an undying supernatural siren has something to say other than "boo!"
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Katsuhiro Ōtomo's 'Domu': A Child's Book Of Nightmares 
A shame that any of Katsuhiro Ōtomo's work should still be out of print, especially this precusor to 'AKIRA' that pits psionic warriors against each other in a high-rise apartment complex
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'Unforgiven'/'Yurusarezarumono': From The Wild West To The Deep North 
Sang-Il Lee's Meiji-era remake of Clint Eastwood's now-classic Western doesn't quite eclipse its predecessor, but it doesn't need to; it stands very nicely on its own
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'Black Lagoon': Boiled Harder 
The animated adaptation of Rei Hiroe's ferocious homage to '80s action and Hong Kong cinema has all the attitude and muscle of its source, and also all its soul and insight
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Bonten Taro's 'Badass Babe! Sex & Fury & Other Stories': The Girl With The Hanafuda Tattoo 
An eclectic collection of manga work from a tattoo artist, folk singer, and quasi-underworld figure until now only marginally known in the West
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'Twilight Of The Cockroaches': The Bugs Shall Inherit The Earth 
Despite the wretched condition of the current reissue, this idiosyncratic and allegorical fusion of live action and animation has black comedy and deeper meanings alike
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'Alita: Battle Angel': She, The Ultimate Weapon 
A prime case study for how a film can be an fine adaptation of beloved source material, while also being breathless, overcrowded, and tangled as a story
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'Dororo': Take (Back) Another Little Piece Of My Heart 
Osamu Tezuka's feudal-era supernatural epic manga gives us two antiheroes, mutilated in body and spirit alike, both seeking wholeness
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'Kamui Gaiden': Uncanny Valley Of The Ninja 
Get past the often terrible CGI, and you'll find a reasonably faithful movie adaptation of Sanpei Shirato's manga masterpiece
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2018


'The Legend Of Kamui': A Nearly Lost Ninja Scroll 
With only two volumes in English, and those out of print, Sanpei Shirato's ragged and earthy ninja epic needs as much of a reissue in full as can be had
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'Illang: The Wolf Brigade': Defanged 
Jee-woon Kim's live-action adaptation of Mamoru Oshii's 'Jin-Roh: The Wolf Brigade' is passable on its own, but doesn't come close to the primal shadow-play sorcery of the original
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Natsuo Kirino's 'Out': The Katori Corpse Disposal Service 
Natsuo Kirino's nervy thriller pits four working-class women against Japanese society -- not just its seedy underbelly, but its whole stacked deck of capital, class, and sex
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'AKIRA' At 30-Something: The Manga At The End Of The World 
On having a reckoning with the god-emperor of modern manga, in a restored English-language edition at last
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'Ichi The Killer': The (Sado)Masochism Tango 
Nearly twenty years later, this remains Takashi Miike's most notorious film, but notoriety is about all it has left going for it
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'Blade Of The Immortal': Die Another Day 
A great manga-to-screen adaptation, a good-to-great Takashi Miike picture, and a slightly overlong and ragged samurai flick, in roughly that order
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Patreon 'Perfect Blue': Even Better Than The Real Thing 
Satoshi Kon's hallucinatory, jolting feature film debut still electrifies -- all the more so in light of how its recently translated source novel was a sub-'Silence Of The Lambs' stalk-and-slash thriller
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'Devilman Crybaby': Sympathy From The Devil 
Maverick director Masaaki Yuasa retells one of Gō Nagai's infamous operas of ultraviolence, with Yuasa adding both his trademark psychedelic visuals and a story that ultimately aims to break your heart, not just turn your stomach
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'Genocidal Organ': Death Sentences 
The third and final movie adapted from Project Itoh's novels retains the timely and unsettling ideas from its source material, but also its dramatic awkwardness
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2017


'Funeral Parade Of Roses': Party Like It's 1969 
More than forty years later, Toshio Matsumoto's psychedelic whirlpool of counterculture sexuality and continuity-shattering New Wave filmmaking remains a one-of-a-kind blast of cinematic fresh air
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Takeshi Kitano's 'Violent Cop': Contents Under Pressure 
'Beat' Takeshi Kitano's first outing as director remains among his best movies -- and also among his most nihilistic and unforgiving
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'Peepo Choo': Turning Japanese 
Felipe Smith's 2010 manga did more than show a Western creator could make use of the form; it provided a riotous critique of the very audience that might seek it out
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'Wolf Guy': Bark At The Moon 
A truly strange specimen from Sonny Chiba's filmography, and an illuminating early example of how manga adaptations were a perfect fit for 1970s exploitation cinema from Japan
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Continue reading archives for this tag from 2017