meta: Violence


2018


'Illang: The Wolf Brigade': Defanged 
Jee-woon Kim's live-action adaptation of Mamoru Oshii's 'Jin-Roh: The Wolf Brigade' is passable on its own, but doesn't come close to the primal shadow-play sorcery of the original
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Natsuo Kirino's 'Out': The Katori Corpse Disposal Service 
Natsuo Kirino's nervy thriller pits four working-class women against Japanese society -- not just its seedy underbelly, but its whole stacked deck of capital, class, and sex
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'AKIRA' At 30-Something: The Manga At The End Of The World 
On having a reckoning with the god-emperor of modern manga, in a restored English-language edition at last
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'Ichi The Killer': The (Sado)Masochism Tango 
Nearly twenty years later, this remains Takashi Miike's most notorious film, but notoriety is about all it has left going for it
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'Blade Of The Immortal': Die Another Day 
A great manga-to-screen adaptation, a good-to-great Takashi Miike picture, and a slightly overlong and ragged samurai flick, in roughly that order
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Patreon 'Perfect Blue': Even Better Than The Real Thing 
Satoshi Kon's hallucinatory, jolting feature film debut still electrifies -- all the more so in light of how its recently translated source novel was a sub-'Silence Of The Lambs' stalk-and-slash thriller
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'Devilman Crybaby': Sympathy From The Devil 
Maverick director Masaaki Yuasa retells one of Gō Nagai's infamous operas of ultraviolence, with Yuasa adding both his trademark psychedelic visuals and a story that ultimately aims to break your heart, not just turn your stomach
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'Genocidal Organ': Death Sentences 
The third and final movie adapted from Project Itoh's novels retains the timely and unsettling ideas from its source material, but also its dramatic awkwardness
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2017


'Funeral Parade Of Roses': Party Like It's 1969 
More than forty years later, Toshio Matsumoto's psychedelic whirlpool of counterculture sexuality and continuity-shattering New Wave filmmaking remains a one-of-a-kind blast of cinematic fresh air
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Takeshi Kitano's 'Violent Cop': Contents Under Pressure 
'Beat' Takeshi Kitano's first outing as director remains among his best movies -- and also among his most nihilistic and unforgiving
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'Peepo Choo': Turning Japanese 
Felipe Smith's 2010 manga did more than show a Western creator could make use of the form; it provided a riotous critique of the very audience that might seek it out
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'Wolf Guy': Bark At The Moon 
A truly strange specimen from Sonny Chiba's filmography, and an illuminating early example of how manga adaptations were a perfect fit for 1970s exploitation cinema from Japan
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'Gantz: O': Kill, Die, Repeat 
'Gantz' was never long on story to begin with, and so this new adaptation, an eye-popping CGI killstravaganza, works best as pure spectacle. Would that it didn't have to, though
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'Attack On Titan: The Movie': A Dead-Action Film 
Misguided, tone-deaf, ugly, and erratically paced, this is one of the rare occasions where a promised Western remake might actually be just the response we deserve
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'Blade Of The Immortal': But That's The Way I Like It, Baby, I Don't Want To Live Forever 
With the first of the three-in-one reissues of Hiroaki Samura's epic fantasy about a nigh-unkillable assassin, there's never been a better time to rediscover one of manga's high points
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2016


'Lone Wolf And Cub': The Boy And The Beast 
Kazuo Koike's perennial manga classic was adapted for the big screen in this cycle of six pop-pulp masterpieces, where father and son slash, stab, shoot, and slice their way through hell
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'The Fake': Closer To God 
The follow-up from the director of 'King Of Pigs' is both more artistically accomplished and more emotionally scarring, an attempt to get us to care about someone who would otherwise never warrant our sympathy
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'Berserk' (2016): What Becomes Of The Brokenhearted? 
The return of Kentarō Miura's violent fantasy epic to the little screen brings with it a fidelity to its strong characterization and powerful story -- and a renewed appreciation of all that was problematic the first time
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Tsutomu Nihei's 'Blame!': Sisyphus In The Labyrinth 
Tsutomu Nihei's debut manga is all industrial hellscapes, sudden violence, and science-fiction gloom -- and in those few things it's everything it needs to be
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Patreon 'Belladonna of Sadness': Satan Met A Lady 
Restored to its original psychedelic glory, this mad masterwork from Osamu Tezuka's studio goes from chic porn to feminist parable and everything in between
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'Tokyo Tribe': Last Night A DJ Kicked My Ass 
Sion Sono's freeform rap-stravaganza adaptation of the hip-hop turf-war manga splits down the middle between being silly fun and being too mindless for its own good
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'Rampo Kitan: Game of Laplace': Darker Than You Think 
Edogawa Rampo's 'erotic-grotesque' horror stories are remixed for the (post)modern day in this sinister, surreal, and colorful adventure
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'Die Wergelder': A Taste Of Blood Money 
After his samurai body-horror epic 'Blade of the Immortal', Hiroaki Samura now gives us a Nikkatsu-style, pulp-inflected action fable
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'Lady Snowblood': Revenge, Best Served Cold 
A pivotal inspiration for Tarantino's 'Kill Bill', this violent revenge tale brings us an anti-heroine who's as much of an outsider for being a woman as she is for being an assassin
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2015


'Vampire Hunter D': Wanted, Undead Or Alive 
There's little question 'D' helped open anime to the West, but its status as an artifact of its moment in time has only become more stark over the years
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Continue reading archives for this tag from 2015