meta: Violence


2020


'Gojoe': The Demons On The Bridge 
Twenty years later, Gakuryū Ishii's revisionist samurai legend still dazzles and jolts like few other movies of its kind
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'Gemini': Of Self And Other 
Shinya Tsukamoto's seething, psychedelic adaptation of Edogawa Rampo's work remains one of his best films
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'Bullet Ballet': Shooting High, Aiming Low 
Shinya Tsukamoto's grimy underworld odyssey about a man obsessed with the weapon that killed his girlfriend is more potential than payoff
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'Tokyo Fist': The Players Of Bloodsport 
Shinya Tsukamoto's blood-soaked, bare-knuckled psychodrama gives us two men in competition for a woman -- but it's the woman who wins
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'Dorohedoro': Black (Magic) Comedy 
Blackly funny, rollicking, and spectacularly animated, the adaptation of Q Hayashida's equally off-the-wall manga is another high point for Netflix's anime coproductions
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'Beastars': Animal House 
That very rarest of breeds: a truly adult show
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2019


'Ryuko': International Woman Of Mystery 
A gorgeous homage to everything from Meiko Kaji's femme-violence films to 'Black Lagoon', but it's too top-heavy with plot and not resourceful enough about its own best ideas
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'Izo': Takashi Miike's Death (And Resurrection) Mantra 
Even longtime Takashi Miike fans were alienated by this mix of Miike's fetishes, 'Slaughterhouse-Five', and William S. Burroughs's space-age shamanism, but it deserves fresh eyes and open minds
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Akio Jissōji's 'The Buddhist Trilogy' 
Almost totally unseen outside Japan, these three art projects by a director best known for his 'Ultraman' work are anything but easy viewing, but also seething with vision and ambition
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'Tomie': The Infinite Bad Penny  
Like all great horror, Junji Ito's now-classic series about an undying supernatural siren has something to say other than "boo!"
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Katsuhiro Ōtomo's 'Domu': A Child's Book Of Nightmares 
A shame that any of Katsuhiro Ōtomo's work should still be out of print, especially this precusor to 'AKIRA' that pits psionic warriors against each other in a high-rise apartment complex
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'Unforgiven'/'Yurusarezarumono': From The Wild West To The Deep North 
Sang-Il Lee's Meiji-era remake of Clint Eastwood's now-classic Western doesn't quite eclipse its predecessor, but it doesn't need to; it stands very nicely on its own
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'Black Lagoon': Boiled Harder 
The animated adaptation of Rei Hiroe's ferocious homage to '80s action and Hong Kong cinema has all the attitude and muscle of its source, and also all its soul and insight
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Bonten Taro's 'Badass Babe! Sex & Fury & Other Stories': The Girl With The Hanafuda Tattoo 
An eclectic collection of manga work from a tattoo artist, folk singer, and quasi-underworld figure until now only marginally known in the West
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'Twilight Of The Cockroaches': The Bugs Shall Inherit The Earth 
Despite the wretched condition of the current reissue, this idiosyncratic and allegorical fusion of live action and animation has black comedy and deeper meanings alike
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'Alita: Battle Angel': She, The Ultimate Weapon 
A prime case study for how a film can be an fine adaptation of beloved source material, while also being breathless, overcrowded, and tangled as a story
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'Dororo': Take (Back) Another Little Piece Of My Heart 
Osamu Tezuka's feudal-era supernatural epic manga gives us two antiheroes, mutilated in body and spirit alike, both seeking wholeness
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'Kamui Gaiden': Uncanny Valley Of The Ninja 
Get past the often terrible CGI, and you'll find a reasonably faithful movie adaptation of Sanpei Shirato's manga masterpiece
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2018


'The Legend Of Kamui': A Nearly Lost Ninja Scroll 
With only two volumes in English, and those out of print, Sanpei Shirato's ragged and earthy ninja epic needs as much of a reissue in full as can be had
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'Illang: The Wolf Brigade': Defanged 
Jee-woon Kim's live-action adaptation of Mamoru Oshii's 'Jin-Roh: The Wolf Brigade' is passable on its own, but doesn't come close to the primal shadow-play sorcery of the original
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See more Violence posts from 2018