Kei Fujiwara's sequel to 'Organ' ends up being more merely unpleasant than unsettling
Kei Fujiwara's symphony of sickness drowns you face-down in its excesses and lingers for a long time to come afterwards
Suehiro Maruo's rendition of Edogawa Rampo's tale of wide-gauge decadence is both delirious and spot-on in its look and feel