people: Shinya Tsukamoto


2020


'Vital': The Weight Of The Dead, And Of The Living 
Shinya Tsukamoto's dark drama about a medical student obsessed with the cadaver of a lost love becomes a moving meditation on how life and death inform each other
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'A Snake Of June': A Love (And Death) Triangle 
Shinya Tsukamoto's eros-and-thanatos story doesn't always work, but gets an A+ for dazzling effort anyway
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'Gemini': Of Self And Other 
Shinya Tsukamoto's seething, psychedelic adaptation of Edogawa Rampo's work remains one of his best films
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'Bullet Ballet': Shooting High, Aiming Low 
Shinya Tsukamoto's grimy underworld odyssey about a man obsessed with the weapon that killed his girlfriend is more potential than payoff
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'Tokyo Fist': The Players Of Bloodsport 
Shinya Tsukamoto's blood-soaked, bare-knuckled psychodrama gives us two men in competition for a woman -- but it's the woman who wins
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'The Adventures Of Denchu Kozo'/'Haze': Shorter Tsukamoto 
Two short films from Shinya Tsukamoto, now anthologized in the Arrow box set for the director, show off his cheeky-humored and bending-sinister sides
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2019


'Tetsuo II: Body Hammer': Metamorphoses 
Shinya Tsukamoto's follow-up (side-quel?) to his immortal debut is not quite as arresting or inspired, but it has many fascinating aspects all the same
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'Tetsuo: The Iron Man': Full Metal Mutation 
Thirty years later, Shinya Tsukamoto's frenzied masterwork of cyberpunk body horror still seethes like nothing else on film
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2018


'Ichi The Killer': The (Sado)Masochism Tango 
Nearly twenty years later, this remains Takashi Miike's most notorious film, but notoriety is about all it has left going for it
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See more Shinya Tsukamoto posts from 2018