All but unknown outside of Japan, this prodigy jazzman is enjoying a renaissance thanks to reissues of his few albums, including this, his striking first
Never before available for English-speaking audiences, Gakuryū Ishii's raw and rousing micro-budget motorcycle mini-epic heralds what was to come in his future films
Ryū Murakami's adaptation of his own story about a Tokyo sex worker is noisome social commentary that won't reach anyone who hasn't already gotten the message
Once thought lost, then found intact, this rapid-fire sendup of/homage to anime tropes is fitfully funny, but better in its pieces than across its whole
Critically maligned, a financial disaster, and dramatically murky -- but dazzling nonetheless, and as a milestone for how CGI functions as its own storytelling medium